Mastering Concert Photography: Insider Tips & Techniques from a Pro | Scott Diussa

Watch the recording of this recent LIVE Broadcast from a I chat with Concert Photographer Scott Diussa and discover his process, kit, tips and tricks for photographing LIVE Music and Events and some of the biggest names in the industry … and all with limited time and space! PLUS Scott will share some of his Lightroom Editing Techniques for bringing out the best in your images taken in challenging lighting conditions …

links mentioned in the video

Scott Diussa’s Link Tree: imagesrock.com

KelbyOne Lightroom Conference: bit.ly/lrconf2024

Royal Photographic Society Workshop: bit.ly/rps-editing

The Art of CINEMATIC TOY PHOTOGRAPHY | Jesse Feyereisen

Watch the recording of this LIVE Broadcast as I chat with the wonderful talent that is Jesse Feyereisen and go Behind the Scenes to discover how he lights, photographs and edits to create such incredible imagery of Toys and Action Figures …

Links mentioned in the video

Jesse Feyereisen Website: https://www.jessefphotography.com/

Instagram: @jessefeyereisen

Facebook: @jessefeyereisen

KelbyOne Lightroom Conference Coming in April 2024

Very excited to be part of the KelbyOne Lightroom Conference 2024 this coming April 16th and 17th …

I’ll be presenting 2 classes, both of which are connected in that the first class I show all the preparation, planning, lighting and photogtraphy for a photo shoot. So, I’ll be covering the researching the concept, visiting a clothing and props provider to the TV and Movie Industry, working with the model, stylist, the set and finally the shoot.

In the 2nd class I’ll then go through the entire retouching process from importing the cpatured images into Lightroom and then step by step working through the retouching making use of Lightroom and Photoshop, and then finally a print.

VERY excited to show this becuase it means working on something completely new; a portrait that doesn’t form part of a series but a portrait I’ve wanted to work on for a while, so to be able to show the entire process will be great!

To find out more about the Lightroom Conference and to take advantage of Early Bird pricing, click / tap on the button link below.

Updating my TIMELESS Photography & Retouching Course

Since I first released my TIMELESS Photography & Retouching Course there’s been the inevitable updates in both Lightroom and Photoshop PLUS I’ve now fallen in love with using Constant Light when taking portraits.

So taking all of this into account, I thought it was only right that I should record some new content to add into what is already, by far, my most popular course.

LIFE TIME UPDATES

If you have already enrolled in TIMELESS, then you have LIFETIME UPDATES at no extra cost, so the new content will automatically appear in the Course Curriculum and you’ll see it and be able to watch it when you login from Monday 25th March 2024.

PRICE CHANGE

After the 25th March 2024 update has been added in, the price to enroll will be increasing for new students due to the course now containing even more content …

  • Current Price (up to 25th March 2024): $32.40 / £27.60 / €32.35

  • New Price (from 25th March 2024): $40 / £35.40 / €41.50

To enroll in TIMELESS at the pre-update price before the new price is introduced, check it out using the button below …

Cinematic Portrait using Constant LED Light

Last weekend I was back with friends Ian Munro and Anthony Crothers in South Wales filming more content for the update to my TIMELESS Photography and Retouching Course, but in addition to this managed to grab some extra portraits too.

The vintage clothing Anthony was wearing was for the TIMELESS Update and was provided by a great ccompany called Marigold Costumes who provide clothing and props to the TV and Movie Industry and whilst he was there collecting it, also picked up a ‘Grandad Shirt’ and a set of braces.

The set up above was what I was using for the TIMELESS Update and that consisted of …

  • Westcott X-Drop Pro Background Support System

  • Westcott 8’ x 8’ X-Drop Vintage Grey by Glyn Dewis (Material)

  • L60-B 60W Bi Colour LED

  • Westcott Rapid Box Switch 4’ x 3’ Softbox

  • Westcott Silver Reflector

The constant light I am absolutely loving! So much so infact I’ve now added a 2nd light to my kit with a 3rd on the way to give me more options for a new portrait series I’m going to be working on.

The portrait above is one that I took of anthony in-between filming segments for Timeless, and for this the set up was pretty much the same other than one addition.

Here’s what the ‘Out of Camera’ shot looks like when just using the L60-B LED and Softbox coming in from camera right …

At the time of this photo shoot I didn’t have a 2nd L60-B so instead I used the modelling light from my Westcott FJ200 strobe, and this worked a treat when fitted with the included reflector and honeycomb grid.

This was aimed behind Anthony from camera left so that just the soft outer portion of the light brushed past the side of his head.

Aiming the light past Anthony so that only the outer portion of the light hit him, meant the light will be soft unlike the portion of light nearer the centre. Also, doing this meant the softness of the light from the 4’ x 3’ softbox and the FJ200 matched.

A silver reflector was also positioned camera left just out of shot to bounce a bit of light onto Anthony’s shoulder and upper back nearest the camera because without it, there was very little detail.

As for the light you can see coming into the portrait from the top left, this was added very simply in Photoshop using a soft white brush and this I did so that the highlight on the side of Anthony’s head (camera left) made sense … if you know what I mean.

Below is a lighting diagram to give you an idea how the set up looked …

My favourite image from this quick portrait shoot is defintely the one above, but I did also grab this one with a wider field of view and slightly different pose and feel due to the chair having been turned around …

Using the exact same set up I also took a portrait of Ian, but with him standing instead of sitting …

I’m so looking forward to pushing on with a new portrait series using the L60-B LEDs ; there’s lots more to come so I’ll make sure to share what I get up to and grab plenty of Behind the Scenes.

I hope this breakdown is in some way useful and if you have any questions please don’t hesitate to drop them in the comment section and I’ll make sure to reply.

Cheers,
Glyn

• Note
As part of the retouching on these portraits I made use of my Dark & Moody Lightroom / Camera Raw preset at 20% strength, and this you can download for FREE when you subscribe to my twice-monthly newsletter

Colour Grading Course Update

Just to let you know in case you have my Colour Grading Course, that today I have added an update, an extra lesson into the course curriculum.

The addition includes Point Colour which was an update in both Lightroom and Camera Raw back in October 2023.

It’s such an incredibly useful feature that gives us amazing control to manipulate colours in our images, so in the videolesson I cover what it is and show exactly how to use it with download files to follow along with included as well.

If you have enrolled in the courlse already, as you have life time updates you’ll see it in the EXTRAS section.

Regards,
Glyn


Capturing STUNNING NATURAL WORLD PHOTOGRAPHS in your BACK YARD | Tim Oliver

Watch the recording of this LIVE Broadcast as I chat with Photographer Tim Oliver and discover his tips and techniques for capturing stunning wildlife photographs in particular of birds but also the natural world. PLUS the Gear / Kit he uses, uncovering how he approaches retouching, printing and selling his work.

links mentioned in the video

Tim Oliver’s Website: oliverimages.com

Tim Oliver on Instagram: @oliverimagesaz

Discount Code: Use code GLYN50 on Tim’s Website for 50% OFF Prints and Gift Shop Items

Want / Need a BIGGER Display to use with your Apple MacBook ?

So this morning I was contacted by someone from my Newsletter Subscriber list asking about the BenQ Discount I’m able to give details about for their SW and PD range of displays, but also asking a bit of advice on their choice of display.

In short, they use a MacBook Pro as their main computer but the current display (not BenQ) that they plug their MacBook into, after a good few years of reliable service has developed a fault that by all accounts to get fixed would cost more than a replacement, so … a replacement it is.

SW or PD ?

Initially they were looking at getting the BenQ SW272Q which basically has the same spec as the display I have, the SW272U other than it’s a 2K display rather than 4K, however after a bit of digging about to discover exactly what they do, I suggested they consider a Display from BenQ’s PD Range.

As for ‘what they do’ it was mainly editing their photographs but not doing any home printing; if they did print any images they used a lab. They also did a little bit of video editing for social media content and the rest was general day to day computer use stuff.

The reason I recommended they take a look at the PD range of displays from BenQ was first and foremost because their main computer is their MacBook Pro.

Mac Ready

The PD range of displays are Mac Ready, meaning when you connect the MacBook and turn on M-Book mode you get identical colour and brightness, basically meaning no difference between the MacBook screen and the BenQ PD display.

HASSLE FREE Connection

Using just one cable, Thunderbolt 3, you connect the MacBook to the display and this cable is also used for audio, video and data.

ERGONOMIC STAND INCLUDED

The PD displays come with an ergonomic stand that as well as having that Mac metal kind of look, is also able to tilt, rotate and is height adjustable.

2 DISPLAYS IN 1

I have the PD 3420Q as a 2nd display, and because of the ultra wide screen format being 3440 x 1440, it’s like having 2 Displays in 1.

Unless I have Premiere Pro open full screen on my PD display, I’ll often have the Chrome Browser AND my MacMail open together side by side which makes day to day working at my computer way more efficient.

There’s lots more to the PD displays but I just thought it beneficial to share the main reasons I recommended the PD over the SW range of displays, and also to give you something to think about if you were consiodering a new display … especially if you’re a Mac user.

PRICE DISCOUNT

Anyway, if you are looking to get a new display now or in the near future, drop me a message and I’ll give you a link to a page where I have details that explain how you can get a discount on Benq displays in the SW and PD range.

There’s a reason I won’t just post that openly here and when you go to the page I explain why that is 😉

Also, here’s a link to my GEAR page where you can see my desktop set up and the displays I use.